Creator Terms & Content Licence

1.1 These Creator Terms & Content Licence (“Creator Terms”) are an agreement between you and StuntKit (“StuntKit”, “we”, “us”). They apply to you from the moment you accept them, and they apply to everything you have uploaded or will upload to the platform.

1.2 They sit alongside the Platform Terms, which govern the marketplace itself, and the Privacy Notice, which governs your personal data. Where the Platform Terms and these Creator Terms conflict on anything to do with your content, your likeness or this licence, these Creator Terms win.

1.3 We have tried to write this so that a person can read it without a lawyer. The plain-English line above each clause is there to help, and is not a limit on the clause — but if you think the two say different things, tell us, because that is a drafting failure on our part and we will fix it.

1.4 In these Creator Terms, “Content” means anything you upload, submit or make available to us: photographs, video, audio, 3D scans, meshes, textures, garment and body models, artwork, captions, measurements, proof-of-delivery imagery, and anything derived from any of them. “Campaign” means a placement sold through the platform and carried by you.

2.1 You promise that you own the Content or otherwise have all the rights needed to grant the licence in clause 3, and that granting it breaks no agreement you have with anybody else — an agency, a sponsor, a club, a league, an employer or a record label.

2.2 You promise that the Content does not infringe anybody's copyright, trade mark, design right, privacy or personality right, and that it is not defamatory or unlawful.

2.3 Where another identifiable person appears in the Content, you promise you have their permission for it to be used the way these Creator Terms permit, and that you can produce evidence of that permission if we ask. Where a venue, an event or a third party's branding appears, the same applies.

2.4 You promise you are not a member of a copyright society — in India, IPRS, ISRA, PPL, RMPL or any similar body, and elsewhere their equivalents — in a way that has already vested in that society the rights you are granting us here. If you are, tell us before you upload. A grant made against rights a society already holds is void by statute rather than merely disputable, which means neither of us gets what we thought we had, and it is far better found at upload than after a Campaign has run.

2.5 If you are subject to rules that restrict what you may carry or endorse — a sponsorship exclusivity, a team kit agreement, an athlete's governing-body rules, a student-athlete name-image-likeness regime, or an employer's policy — complying with them is your responsibility, and you must not list a surface those rules do not let you sell.

2.6 If any of this stops being true, tell us immediately. We will work with you on what to do about it, and in most cases that means quietly stopping a use rather than anything more dramatic.

3.1 You grant StuntKit a licence over the Content. The licence is non-exclusive, worldwide, perpetual, irrevocable, royalty-free, fully paid-up, transferable and sub-licensable, and it is granted for the full term of copyright and every other right in the Content, including every extension, renewal, revival and reversion of that term. It is granted to the furthest extent and for the maximum duration permitted by the law that applies to you — including in perpetuity where that law permits perpetuity — and where it does not, for the longest period that law allows.

3.2 Under that licence we may host, store, reproduce, copy, back up, distribute, transmit, publicly perform, publicly display, publish, edit, crop, retouch, colour-correct, re-time, re-light, re-render, rig, retopologise, compress, format-shift, translate, caption, combine with other material, and create derivative works from the Content — in whole or in part, alone or with anything else. The media this covers are the platform itself, the studio and its previews, the web, social and messaging platforms, email, print, out-of-home and event displays, video and streaming, and press and investor materials. Where a genuinely new medium or method emerges that these do not describe, clause 15 governs: we tell you and ask, rather than relying on this sentence to have silently covered it in advance.

3.3 We may exercise the licence for the purposes of operating, providing, improving, securing and promoting the platform and the marketplace; of building, fitting, previewing and rendering placements; of making, running, delivering and evidencing Campaigns; of showing prospective brands what a placement would look like; and of our own marketing, portfolio, case studies, press, investor materials, showreels and public build-in-public posts.

3.4 The licence extends to your name, handle, likeness, image, voice, signature and persona to the extent they appear in or are captured by the Content, and to the 3D body and garment models built from it — on the terms and within the limits set out in clauses 6, 7 and 9.

3.5 The rights licensed, enumerated. Reproduction and the making of copies in any material form including storing it electronically; issuing copies to the public; performing and communicating the work to the public; making any cinematograph film or sound recording in respect of it; making any translation; and making any adaptation, including a two-dimensional work from a three-dimensional one and a three-dimensional work from a two-dimensional one. This list is written against the acts reserved to a copyright owner by section 14 of the Copyright Act 1957 so that nothing is left to implication.

3.6 The works licensed are identified by our upload record rather than listed here, because a document you sign once cannot name files that do not exist yet. Each item carries its own identifier, content hash, uploader and timestamp, and that record forms part of this agreement. You can obtain it at any time.

3.7 Territorial extent: worldwide, in every territory and jurisdiction, with no geographic limitation. Duration: perpetual, subsisting for the full term of copyright and all other applicable rights and not for any shorter deemed or statutory default period. Consideration: access to the platform and its distribution, the building of your 3D body at our cost, and the revenue share in clause 11.1, which is the whole of the consideration payable to you for this licence. The royalty payable under this licence, as distinct from that consideration, is nil. This agreement remains subject to revision, extension or termination on terms the two of us agree, and nothing here is intended to prevent that. These three things are stated expressly because the law of the governing jurisdiction supplies unwelcome defaults where a grant is silent about them, and we would rather be clear than rely on an implication.

3.8 The licence takes effect and is exercised separately for each item of Content, from the moment that item is uploaded, by our storing, processing, indexing and making it available within the platform. Each upload is its own licensing event and is recorded as one. Our storing, indexing, format-converting, thumbnailing and rendering of an item, and our holding it available in the catalogue, is agreed to be an exercise of every right licensed in clause 3.5 — not only of the right to host it — and wherever the format allows it we generate a derivative work from an item at the moment it is uploaded, so that for those items this is a fact and not only a term. No further act, notice or payment is needed to bring the licence into effect or to keep it in effect, and it does not lapse through non-use, section 19(4) of the Copyright Act 1957 being expressly disapplied.

3.9 No obligation attaches to the licence, now or at any time in the future. We are not obliged to use the Content, to keep using it, to keep it available, to account to you for any use of it, or to pay you anything beyond what clause 11 provides — including in respect of any medium, platform, technology, format or category of use that does not exist yet.

3.10 What the perpetual right does not include. It reaches the Content as captured, and renders and Campaigns you have already approved. It is not a right to drive, animate, re-pose, re-voice or otherwise perform your 3D body or any likeness of you into material you have not approved. A permanent licence over a rigged model would otherwise be a permanent right to make you do things you never did, which is not what we are asking for and not what you are granting. Clause 7 governs anything of that kind, every time.

3.11 Personal data is carved out of this licence. To the extent Content contains personal data — your measurements, your reference photographs, the scan intermediates behind your body model — we will not use that personal data for any purpose other than providing the platform and as set out in the Privacy Notice. A copyright licence is not a data-protection permission and this clause does not pretend it is: your rights to withdraw consent, object and require erasure operate separately and are unaffected by the perpetuity of this licence.

3.12 Viewers get a much narrower licence, from you, automatically. Anybody viewing a public profile, studio preview or embedded placement receives a non-exclusive, royalty-free licence to access and display that Content solely as enabled by a feature of the platform — viewing, sharing a link, embedding a preview. It grants no right to use your Content independently of the platform, and it ends for future use when the Content comes down.

3.13 You may license the same Content to anybody else, on any terms you like. Nothing here stops you, and we ask for no exclusivity over your work or your career.

4.1 The licence in clause 3 includes the right to use the Content to develop, train, validate, evaluate and improve machine-learning models operated by StuntKit — principally the models that estimate a body from photographs, fit artwork to a garment, generate placement previews, and check a proof image against what was sold.

4.2 That right is limited in two ways that we treat as binding commitments, not as statements of present intention:

5.1 Accepting these Creator Terms does not by itself give us the training permission in clause 4 over your body scan or any other personal data. Section 6 of India's Digital Personal Data Protection Act 2023 requires consent that is free, specific, informed, unconditional and unambiguous, given by a clear affirmative action, and limited to the personal data necessary for the purpose specified. Training a model is a different purpose from running your Campaign, so it gets its own request and its own affirmative act, on its own screen. Consent bundled into a document you had to accept anyway is not consent, and we would rather ask properly than rely on something that would not hold.

5.2 You can withdraw that permission at any time, from your account settings, with one click, account-wide, taking effect immediately. There is no form, no review queue and no waiting period. Withdrawing costs you nothing and changes nothing else about your account.

5.3 Withdrawal stops future training runs and removes your Content from the next one. It cannot un-train a model that has already learned from it, and we will not claim otherwise. Where we can retire or retrain an affected model on a reasonable timetable, we will.

5.4 This permission is never applied retrospectively. If we change what clause 4 covers, the change reaches only Content uploaded, or permission re-given, after the change takes effect. Content already in the platform stays under the version you agreed to.

5.5 Where you have withdrawn or never given the permission, we will also express that exclusion in machine-readable form — in our robots file, in response headers served with your Content, and in any comparable standard that becomes established — so that the reservation binds crawlers we have no contract with. Article 4(3) of Directive (EU) 2019/790 requires a reservation of rights to be machine-readable to be effective against text-and-data mining, and a promise in a contract does not reach a third party who never signed it.

6.1 Copyright in a photograph and the right to commercialise the person in it are different rights, held under different laws, and a licence over one is not a licence over the other. This clause is where you grant the second.

6.2 You consent to StuntKit using your name, handle, likeness, image, portrait, picture, voice, signature and persona, as captured in or derived from the Content, for the purposes set out in clause 3.3 — including in advertising and promotional material for the platform itself and for Campaigns you have accepted. This consent is given knowingly and in writing by your acceptance of these Creator Terms, and it is given for valuable consideration as described in clause 11.

6.3 It covers the specific techniques we actually use, named rather than left to be implied: photography and video capture, 3D scanning and photogrammetry, mesh reconstruction, rigging, retargeting and animation, compositing into campaign renders, and — only within the limits set by clauses 4 and 7 — voice synthesis, generative models and model training. A court asked whether a general permission covered synthetic regeneration of a person would be right to say it did not, so we do not rely on a general permission.

6.4 This consent is worldwide and perpetual and, like the licence, it survives the closing of your account. It binds your heirs, executors, administrators, successors and assigns, and it applies after your death in any jurisdiction that recognises a post-mortem personality right.

6.5 Your estate is not stuck with it. Post-mortem personality rights pass to your heirs in many countries, which means somebody who never agreed to this would inherit the right we are relying on. So: your executors or heirs may, on reasonable notice, require us to stop new commercial uses of your likeness, and may ask to renegotiate the terms of continued use. We will not treat clause 6.3 as an answer to them.

6.6 It does not make you a spokesperson. Carrying a logo is presence, not endorsement, and we will not present you as stating, believing, using or recommending anything. A statement, a demonstration or a script is a separate thing you price and may refuse, and no licence in this document obtains one for free.

6.7 Where the law where you live requires a specific, separate or differently-worded consent for a particular commercial use of your likeness, we will obtain that consent in the form that law requires before making that use, and we will not treat this clause as a substitute for it.

7.1 When you ask us to, we build a 3D body model from your measurements and reference photographs so that brands can see a placement on you before they buy it. We own the model as a work we created. You retain every right you have in the likeness it depicts, and the model is Content for the purposes of this agreement, so everything in clause 3 applies to it and everything in clause 9 limits it.

7.2 The model and the garment meshes built on it are shown publicly on your profile and in the studio, because that is the storefront a brand is shopping. Your measurements and the reference photographs you sent are not, and they are handled under clause 3 of the Privacy Notice.

7.3 A digital replica — any model, render, animation or generative output that depicts you in a way a reasonable person would take for you — is treated more strictly than the rest of the Content. We will not create or use one for any purpose beyond previewing and rendering placements on the platform without asking you first, specifically, for that purpose, naming what it will be used for and for how long.

7.4 That standard is borrowed deliberately from the digital-replica provisions negotiated in the entertainment industry, where consent to a replica must be specific and informed rather than swept up in a general grant. A single blanket permission obtained at sign-up is not, in our view, honest consent to being synthetically depicted, and we do not rely on one.

7.5 Consent to a replica is asked for per use class, and each class is a separate act. The classes are: a still image; video; a static 3D artefact; an animated or driven digital double; and voice. The driven double is deliberately its own class — it is the only one that can produce a performance you never gave — and it never rides along on permission you gave for a static scan.

7.6 Every such request carries a reasonably specific description of the intended use: what will be made, for which brand or purpose, on which channels, in which territories, and for how long. A general permission to make replicas of you is not something we will ask for and not something this agreement grants.

7.7 Before you give any replica consent we will tell you, clearly and in the request itself, that you may take independent legal advice first, and we will record whether you did. Some laws make a replica clause unenforceable against a person who was neither represented nor given a specific description of the uses — we would rather meet that standard than discover later that the permission was worth nothing.

7.8 Replica use is paid for separately. A consent to be scanned is not a consent to work for nothing: any use of a digital replica of you carries its own fee, agreed before the use, on top of anything you earn from the Campaign itself. An unpaid replica permission is the thing the industry standards we are borrowing from exist to prevent.

7.9 Where a replica would be generated or driven in real time — live in a studio preview, or inside an interactive placement — we say so in the request. Whether generation is live is part of the description you are consenting to, not an implementation detail.

7.10 Every replica request is presented clearly and conspicuously: easy to notice, written to be understood without a lawyer, and unavoidable rather than reachable through a link you would have to go looking for.

7.11 If you are under 18 you cannot give any of these permissions, and nor can we accept them from you. Where a parent or legal guardian contracts for a person aged 16 or 17 under clause 2 of the Platform Terms, the replica permissions are theirs to give, in the same specific form, and the young person’s own objection ends the use regardless.

7.12 The raw biometric intermediates — scan point clouds, depth maps and face encodings — are kept only as long as it takes to build and validate your model, then deleted on a stated schedule. They are not the delivered artefact and they are not kept as if they were. The Privacy Notice sets out the schedule.

7.13 You may ask us to take your body model down at any time. We will remove it from your profile and from the studio, stop offering placements on it, and stop using it in our own marketing going forward. What we cannot do is recall a Campaign already made from it, for the reasons in clause 12.

8.1 The licence in clause 3 is sub-licensable, and this clause sets the ceiling on what any sub-licence to a brand may contain. We cannot give a brand more than this without coming back to you.

8.2 A brand that wins a spot receives a non-exclusive, worldwide licence to use the imagery and footage of that Campaign — the placement as carried, the proof imagery, and the renders made of it — to advertise and promote itself for twelve months from the date the material is first published by the brand. If the brand has not published within six months of winning the spot, the sub-licence lapses and has to be renegotiated — the clock cannot be started at the brand’s convenience two years later.

8.3 The twelve months covers organic and paid media alike, but it does not cover allowlisting: a brand running paid advertising through your own handle or account is a separate thing, priced separately, and never included by default. It is yours to agree to or refuse, campaign by campaign.

8.4 Brands work through agencies, and a flat ban on onward sub-licensing would be broken the day it was written. So a brand may extend its sub-licence to the named agencies and media buyers recorded against that Campaign, on identical terms and no wider. Anybody not named in the Campaign record has no rights at all, and neither we nor the brand can widen the grant without the other and without you.

8.5 That term is renewable, but only by agreement: a brand that wants longer must come back through the platform, and you are paid again for the extension. Silence is not a renewal, and a brand that keeps running a Campaign after its term has expired is in breach of its sub-licence and we will enforce it.

8.6 After the term ends, the brand must stop making any new use of the material, and must stop all paid amplification immediately — that one is not a wind-down, it is a switch. Organic posts already published may stay up. The brand is not required to recall media already distributed, to scrub archives or third-party platforms it does not control, or to delete internal records, which is a real limit on what a licence can achieve and we would rather say so than imply otherwise.

8.7 Your category blocks bind every sub-licence. If you have blocked gambling, alcohol, cannabis, political advertising, adult material or anything else, no brand may place you in it and no sub-licence reaches it, including by re-use of older material.

8.8 A brand never receives the right to sub-license onward beyond clause 8.4, to alter the Campaign imagery in a way that changes what you appear to be endorsing, to alter your appearance — your body shape, skin tone, age or physique, to use it outside the Campaign it bought, or to use any right granted to us under clauses 4, 6 or 7 beyond what this clause allows.

8.9 StuntKit's own rights under clause 3 are unaffected by the expiry of any brand's sub-licence. Ours are perpetual; theirs are not.

9.1 A licence as broad as clause 3 is only reasonable if it has limits, so here they are. These are contractual obligations owed to you, enforceable by you, and they survive for as long as the licence does.

10.1 In India, France, Germany and many other countries an author's moral rights — to be identified as the author, and to object to derogatory treatment of the work — cannot lawfully be sold or waived. We are not going to ask you to do something the law will not let you do, and a clause purporting to take a waiver would be void exactly where it mattered.

10.2 So instead you give a specific consent to specific acts, which is the thing that is enforceable where a blanket waiver is not. You consent to, and agree not to assert your moral rights against, the following done by StuntKit or anybody we sub-license: cropping, resizing, recolouring and colour correction; compression, format conversion, decimation, retopology and re-rendering; retexturing, re-rigging and retargeting; compositing your Content with other works, with brand artwork and with sponsor assets; overlaying text, graphics and audio; generating derivative two-dimensional and three-dimensional works from it; and displaying it without attribution where the format does not carry a credit.

10.3 That list is deliberately not limited to routine technical handling. Compositing a placement onto a garment mesh and re-rendering it is what this platform does, and a consent that quietly excluded our actual work would be worth nothing to either of us.

10.4 Each of those acts is carried out for the purposes in clause 3.3 and within the limits in clause 9, and you and we agree that none of them is, or is to be treated as, prejudicial to your honour or reputation.

10.5 That agreement not to assert goes no further. It does not touch your right to object to genuinely derogatory treatment, to distortion or mutilation of the work, or to anything that prejudices your honour or reputation. Those rights remain yours and we do not want them.

10.6 Where waiver is permitted by the law that applies to you, and only to the extent it is permitted, you waive your moral rights for the purposes described in clause 10.2. Where it is not permitted, clause 10.2 applies instead and clause 10.3 continues to limit it.

10.7 Two things this does not give you, for completeness. You cannot use your moral rights to require us to publish your Content, or to publish it in a particular placement or to your satisfaction — not showing a work is not an infringement of these rights. And nothing in this clause limits your right to object to genuine distortion or mutilation that does harm your honour or reputation, which is the case this protection exists for.

10.8 We credit creators by name where the format reasonably allows it. Where it does not — inside a render, on a garment mesh, in a compressed preview — no credit is given, and you agree that the absence of credit in those places is not a breach.

11.1 You are paid through the marketplace, not through this licence. When a spot you listed is won and the Campaign settles, you receive 75% of the amount the spot closed at, under clause 4 of the Platform Terms. That, together with access to the platform, the building of your 3D body at our cost, and the distribution and promotion we provide, is the consideration for the licence in clause 3 and the consent in clause 6, and you acknowledge it as good, valuable and sufficient consideration for both.

11.2 The licence is royalty-free and fully paid-up. No further royalty, residual, participation, usage fee or other payment is due to you for any exercise of it, whether by us or by anybody we sub-license, at any time, in any medium, including media and technologies that do not yet exist.

11.3 We are not obliged to exploit the Content, to secure you any Campaign, or to generate you any income. No figure shown in an estimator is a promise.

11.4 Your share is intended to satisfy the statutory claims, not to sit alongside them. The share paid to you under clause 11.1 is agreed to include, and to be paid in satisfaction of, any royalty or share of royalties or consideration you are entitled to under sections 18 and 19 of the Copyright Act 1957 in respect of the use of your work in any form — including any equal share claimable where your work is used in or as a visual recording, and including uses outside a cinema hall, which is every use we make. It is attributed per work, and we will show you the attribution for any item on request.

11.5 Where the law that applies to you gives you a right to equitable, appropriate or proportionate remuneration that cannot be contracted away, clause 11.2 does not displace it, clause 11.4 is how we intend to meet it, and the rider for your country in Annex A says what happens if it does not.

12.1 You may stop listing, take your boards down, remove your body model and close your account at any time, with no notice, no penalty and no fee. Standing bids on anything you withdraw are returned to the brands in full.

12.2 Closing your account stops the future: no new Campaigns, no new placements, your profile comes down, and we stop using your material in our own marketing going forward if you ask us to.

12.3 Closing your account does not revoke the licence in clause 3 or the consent in clause 6. Both are expressly stated to be perpetual and irrevocable and both survive termination of this agreement, the closing of your account, and the deletion of your data. This is the single most consequential sentence in this document and it is why the checkbox at sign-up says so in terms.

12.4 In practical terms that means we may continue to host and use Content already uploaded, continue to show Campaigns already run, keep material in backups and archives, keep case studies and portfolio pieces published, and honour sub-licences already granted to brands for the remainder of their term.

12.5 Some things cannot be undone by anybody, and we will not pretend otherwise: a Campaign that has been carried in public has been seen, photographed by other people, posted by attendees and archived by services neither of us controls. Copies that have already been shared or distributed are beyond recall, and no clause we could write would change that.

12.6 Concretely, these are the reasons a piece of your Content may still be in use after you have gone, and they are the whole list:

13.1 Your rights under data-protection law are a separate matter and are not limited by clause 12. Clause 9 of the Privacy Notice explains precisely where the line between the two falls, and where the law where you live gives you an erasure or objection right that reaches further than this clause allows, that law wins.

14.1 You will indemnify StuntKit against any claim, loss, damage or reasonable cost (including legal fees) arising from a breach of the promises you made in clause 2 — principally, a claim that you did not have the rights you said you had, or that somebody else in the Content did not agree to be there.

14.2 This indemnity does not apply where the claim arises from our own breach of these Creator Terms, from a use outside the limits in clause 9, or from something we altered the Content into.

14.3 We will tell you promptly about any claim we intend to pass on to you, let you take conduct of it if you want to, and not settle it without your consent, which you will not unreasonably withhold.

14.4 Your total liability to us under this clause is capped at the greater of the amounts you have been paid through the platform and US$5,000, except where the claim arises from your fraud or from your deliberate misrepresentation of the rights you held.

15.1 Every version of this document carries a version number and an effective date. Superseded versions are kept, and you can always obtain the one you accepted.

15.2 We will not treat your continued use of the platform as acceptance of a material change to this document. Where we change it materially, we will give you at least thirty days' notice by email and ask you to accept the new version by a fresh, separate act — the same unticked box you saw at sign-up. Until you do, the version you accepted is the version that governs you.

15.3 A new version operates only from the date you accept it. Content uploaded under an earlier version stays licensed on that earlier version's terms, and a later version cannot enlarge what you granted under an earlier one retrospectively.

15.4 If you decline a new version you may keep using the platform under the old one until we close the account, or leave. Declining is not a breach, and we will not withhold money you have earned because of it.

16.1 These Creator Terms are governed by the Laws of India, and any dispute is resolved as set out in clause 12 of the Platform Terms: raise it with us at boom@stuntkit.com first, then arbitration under the Arbitration and Conciliation Act 1996, before a single arbitrator, seated in Bengaluru, Karnataka, India, in English.

16.2 Choosing Indian law does not switch off the mandatory rules of the country you actually live in. Where your local law gives you a protection that a choice of foreign law cannot lawfully take away — consumer-protection rules, unwaivable remuneration rights, moral rights, data-protection rights, the right to sue in your local courts — you keep it, and we will not argue that this clause removed it.

16.3 Annex A sets out how that works in the jurisdictions where the difference is significant enough to spell out. Those riders are part of this agreement and override the general clauses wherever they conflict.

16.4 If the licence in clause 3 cannot take effect in full in a particular country, it takes effect there as the broadest grant that country's law does allow; and if it allows none of that, it takes effect as a non-exclusive licence to host and display the Content on the platform. A licence that fails to nothing helps neither of us, so it steps down rather than falling over.

16.5 If any part of this document is held unenforceable, then where the law applying to you permits a term to be read down, it is read down to the narrowest form that is enforceable; and where that law does not permit a term to be modified — as the consumer-protection law of several European countries does not — the term simply does not bind you and the rest continues without it. In particular, if the perpetuity, irrevocability or scope of the licence in clause 3 is limited by the law of a particular country, the licence takes effect in that country to the fullest extent that country's law allows, and is unaffected everywhere else.